< just the trace
just the trace

Should I change my outfit at a DuPont Circle Starbucks I have grease stains in this dress


i mean - alright. “don’t trust gay people” because they can hold biphobic beliefs and we can I guess, forget that bi people can also theoretically hold really fucked up beliefs about how everyone is REALLY bi (which tends to be said mostly to lesbians) and forget our shared! shared! history! and forget that there isn’t always this clear demarcation b/c compulsory heterosexuality is a hell of a thing and many, MANY bi and gay people have identified with both at one point in their lives. forget that bi people in gay relationships won’t be able to be “ah no see, i”m really bi!” when dealing with legal troubles 

but yeah this is totally helpful


yay i made an adult phone call about money



Valeriia Karaman for Oh Comely magazine, flower tattoos by Verity Cumming

(via dolorimeter)


(Source: bandomatic, via catandkitty)



It looks intricate, but this no-churn ice cream cake is easy as pie. 

Read More: How to Make a No-Churn Ice Cream Cake on Food52

(via cleverlyplannedmeal)



nicki minaj is the most beautiful woman on the earth idk if i’m gonna be able to survive the anaconda video??? 

update i’m sooo gay i’m sooooooooooooo gaaaaay

By Grimes

The song recounts a specific sexual assault (“One of the most shattering experiences of my life,” Grimes, who was born in Vancouver as Claire Boucher, told SPIN in 2012) by describing the psychic fallout: “And never walk about after dark/ It’s my point of view/ Because someone could break your neck/ Coming up behind you always coming and you’d never have a clue,” she lisps in her high, pinched voice. It’s a dazzling, paralyzing performance, in part because Boucher sounds almost playful, and in part because the skronking behind her—the song’s springy, propulsive synth line was one of 2012’s most unforgettable—indicates something other than victimization. “See you on a dark night,” Boucher repeats. […] But what “Oblivion” ultimately offers is victory. It’s the sound of one woman turning personal devastation into not just a career-making single, but a lasting anthem of transformation.

Grimes’ Oblivion is the best song of the decade - so far.

(Source: ozhin, via negat0ry)



your url is one of the greatest things to grace my dash, ever. thank you! you’re a sweet person who posts about things that make you happy or incredulous with good humor/grace which is an odd word to describe your reaction to erika moen but you know.

you’re also v. supportive and seem to have firm convictions, but not inflexibility. 



haha omg, one is that you’re an amazingly original and talented writer who is a force for good rolling her eyes at literary bros and should be lauded for that. I am also super fond of the music you post because i often have never heard of them but i feel like I should’ve!

you seem to be very good at listening and empathizing with other people and the care you have towards other women is very genuine. you never seem to talk down to people!

i also appreciate your jewish blogging and feel very similar on a lot of stuff you talk about with it.